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Showing posts with label Rickshaw Stop. Show all posts
Showing posts with label Rickshaw Stop. Show all posts

Thursday

The Dominant Legs Interview: Clawing Their Way In And Out Of Love...Or, Like His Beloved SF Giants, Ryan Lynch And Dominat Legs May Be A Team Of Destiny!

That's how we do it here in the Yeah Area! It's all sunshine and convertibles.
San Francisco's Dominant Legs are truly poised to embody the first part of their moniker as they ready for a full-length album to be released by Lefse Records in the early summer, recently opened for Broken Social Scene at the Warfield, and headlined the Rickshaw Stop last night. Their music is "easy listening" only in the sense that it sounds so free and easy, perfectly capturing "The Life in San Francisco" Legs member Ryan Lynch's former band, Girls, sang about. Their songs have a timeless quality that could appear on a car radio from any number of decades, including future ones. The Duo of Lynch and Hannah Hunt have a leg up to be the next musical export from a city that has recently seen the renewal of a long tradition of bands that buck whatever trends are happening, while creating their own musical niche. WDS chatted with Dominant Legs founder and devoted sports junkie, Ryan Lynch over email about R. Kelly, fearing beards, and love...Here is the result below!

WDS - I know you have probably been busy recording and preparing Dominant Legs full-length, any working title yet? And what can you tell me about the recording process for this?

Ryan - I haven't thought too much about a title for the album. I've considered calling it, " I Like Love." It's a title of another artists song. I thought it would be nice to pay them homage and it also makes sense because a few of the songs have 'love' in the title. And if they don't they are about love in one way or another. Hannah has made me aware of the fact that I may be using the word too much. So, you're just going to have to wait and see on that one.

WDS - Girls are also working on a new record, were you involved with the recording of that as well?  What is your status in that band? Will you be doing both projects?

Ryan - Girls and I parted ways prior to the Australian tour last December. So I was not involved in the Girls record that they are working on now. Dominant Legs is my only project. We are all good friends still. FYI

WDS - Dominant Legs music really sparks a lot of memories for me when I listen to it. It reminds me of a time when songs were tuneful and not overly self-aware, if that makes sense? What do you find makes a good song or song feel right to you?

Ryan - Lyrically, I'd like the song to be honest. I hope to reveal something about myself in the lyrical content. Then it's up to the listener to decide if it's interesting or not. That way, whatever their opinion may be, it's me. As for the music, it takes different things for each song. I like everything to make sense. Like in a film, for instance. I like it when you feel like there aren't any wasted scenes or that there aren't any scenes that feel unnecessary or done poorly. The most important thing to me are the melodies though. That's where I have the most fun.

WDS - We both grew up on the Peninsula (you in Redwood City and me in Millbrae) what do you think that chronically suburban experience brings to the music you make?

Ryan - When I was in high school, it was much harder to get independent music. We mail-ordered records and put on our own shows. The punks and other kids into music were very nurturing. The peninsula has influenced me in that aspect, but my musical influences come from all over.
Dominant Legs are Ryan Lynch and Hannah Hunt

WDS - There is a strong R&B undercurrent mixed with a kind of AM radio Top 40 KFRC quality (if you remember that station). I heard you mention Nile Rodgers in another interview, who has influenced your guitar playing? The same question regarding singing?

Ryan - Michael Jackson for sure. When I first started writing songs my friends told me that sounded like Tracy Chapman. I was and am still a fan of hers, so I took it as a compliment. I think that she is much better than I though. There's a lot of feeling and soul in her voice that can't be taught. Others I like are: Van Morrison, Steve Ignorant, R Kelly, Bob Dylan who I would never attempt to imitate, Luther Vandross, Robert Smith.

WDS - Having been through the “buzz machine” with Girls, how has that prepared you for the same kind of interest in Dominant Legs?

Ryan - I am well prepared. If we are lucky enough to be as successful as Girls, I will know before what it will be like. A lot of van time on the road. I am ok with that.

WDS - How is being in a “band” with Hannah different than other bands you’ve been involved with?

Ryan - Not really a big difference. We were all friends before. (There is six of us now.) You wouldn't notice that she's the only gal. 


WDS - I know that your recent Noise Pop Festival show with How To Dress Well was one of THE shows to see. How did it feel from your perspective and who are you excited to see these days?

Ryan - We were very grateful. It's always nice when people are excited to see your show. Any other band would tell you the same thing. Honestly, I still love watching Magic Bullets. I've seen them a couple times recently and just love their show. The new songs are amazing. Melted Toys, who are also from SF, are really great too. I've been listening to The Blue Nile a lot. Don't think they are around anymore though. 

WDS - Let’s talk baseball! It’s been well-documented that you are a HUGE  Giants fan. Growing up in the Bay Area, describe how it felt to finally have the team be World Champions? How did you celebrate and for how long? (I have friends that are still celebrating)

Ryan - I could go on forever. It was something that meant a lot to me, as it did for so many people. To be brief, the Giants winning the World Series was one of the most fulfilling, long awaited experiences I've ever had. Sports mirror life and the good guys just won it all!! I celebrated for quite a while. Over the off season I watched the dvd box set quite a bit and shed tears of joy each time. It's something to always cherish and I will celebrate it forever. But a new season has begun and you can't let that get in the way of defending the title. 

WDS - What are your feelings on the team coming out of spring training and defending their title?

I think they will be even better than last year. With all of the same pitching coming back and only losing Juan Uribe and Edgar Renteria offensively. It isn't going to be easy though. You have to remember last year's regular season, where they had their struggles in the first half. I came back from tour, mid-year, just in time to watch an 8 or nine game losing streak. They will be good though. They can go up against any team and win. They've proven that. 

Ridiculous But Necessary Questions
What is your favorite cheese?

Ryan - Sharp Chedder, I guess. 

Donna Summer or W. Axel Rose?

Ryan - Donna Summer 

Cody Ross or Barry Bonds?

Ryan - Cody Ross. He's part of the Championship team. A BIG part of it. I do love Barry Lamar though. He was our guy for a long time.  

Talk about girls or sports?

Ryan - Don't make me choose. 

A month in the van with anyone (entirely up to you)?

Ryan - Bob Dylan 


Saturday

Abe Vigoda & Wild Nothing Play SF's Popscene, Which Was Quite The Scene Indeed! Or, A New Sauna Opens In San Francisco Featuring Live Music...

Abe Vigoda live, these guys are definitely not Fish...photo by Robert Celli

This past Thursday perennial indie party Popscene turned San Francisco’s Rickshaw Stop into a sauna. That’s right, complete with steam coming off the walls, shvitzing hipsters, and RAWK so good it cleaned your pores! The night featured two decidedly different bands with different sounds and approaches who shared one member. Los Angeles’ Abe Vigoda kicked things off, delivering a tight and pounding set of their unique blend of indie cum world beat tunes. Live, Abe Vigoda comes off a lot more aggressive and bare boned. The afro-calypso elements are still inherent in their sound but stripped of some the recorded production that I associated with them. What they do extremely well is staying rooted to the underground scene that produced them. By avoiding fay indulgence in the same influences a band like Vampire Weekend co-opts and markets as “indie-world music”, Abe Vigoda are more art school cool than Ivy League elite. Their set was a lot more groove-based than I was expecting and contained that hard to define element of “punkness”. One of a handful of the early bands to emerge out of LA’s art collective The Smell (along with other notables No Age, Wavves and Best Coast), Abe Vigoda may have the most original and uncompromised sounds.
Juan Velazquez of Abe Vigoda...photo by Robert Celli
Singer-guitarist Juan Velazquez leads the band whose sound is sonically akin to a tropical downpour of shimmering guitars, which clear to reveal the first rays of sunlight through a cloud-filled sky. That blend of percussive thump, hazy vocals and guitars that sound like steel drums are the heart and soul of Abe Vigoda. There is an infectious energy that makes you feel like you just washed up on an island made entirely of concrete after a rough night lost at sea.

Between bands the Popscene DJs mixed yesteryear’s inducers of lock-kneed sway and oscillating dance like the Psychedelic Furs and The Smiths with more current reproducers of the late 80’s-early 90’s music that is currently in vogue. The crowded, slightly affected smart phone tapping attendees responded to both generations of music with equal vigor. I found this slightly bemusing given the supposed penchant the iGeneration has for ironical detachment. But, HEY, a good song is a good song! We are nothing if not our own cultivated pastiche.

Wild Nothing from the side at the Rickshaw...photo by Robert Celli

Up next was Virginia’s Wild Nothing who was no doubt responsible for the line that stretched around the block outside the club. Last year’s release Gemini was a fixture on critics’ top ten lists. Indebted to Robert Smith and The Cure but devoid of the over-emotive vocal drama Smith is known for, Wild Nothing’s frontman Jack Tatum writes incredibly catchy hooks built around cascading guitars and pulsing bass lines. The young girls and much to my surprise men in the crowd, to borrow the Morrisey lyric, “oscillated wildly” from the opening notes. Wild Nothing’s sound is built on the effect-laden guitar interplay between Tatum and guitarist Nathan Goodman. Drummer Michael Skattum employs some electronic triggers but this is a decidedly straight ahead rock band live. The night’s MVP was Abe Vigoda drummer Dane Chadwick who filled in on bass and played a seemingly flawless show for both bands.
Jack Tatum sings...photo by Robert Celli
For a band (truly, this is Jack Tatum’s project) that garnered so much attention for “playing” the recording studio, they were well-suited to a live setting. Guitars shimmered, while voices hung in the air like smoke rings over the blissful ongoing shimmy in the audience. Songs like “Summer Holiday” and “Golden Haze” are lovely swirls of melodies with just enough muscle to them to not sound wimpy. Their sound is a bit one-dimensional but it is one helluva a dimension. Judging by the reaction they were receiving this was right hybrid of shoegaze, indie pop and just enough retro-New Wave flourishes. There is nothing wrong with giving the people what they want.

Blurred vision of Wild Nothing...photo by Robert Celli
Sometimes it is black and white...photo by Robert Celli

Friday

The Face of the New Nashville: You Won't Find Teardrops on Tristen's Guitar...

The new face of Nashville...
Nashville often gets overlooked by the indie literati due largely to the Disney-like, sequins and fringe hokum of artists like Taylor Swift.  But, just beneath the shiny, aw-shucks toothiness, lies a burgeoning underground of smart singer-songwriters proudly out of step and residing on the periphery of Music City.  One such artist is Tristen, who's first full-length release on American Myth Recordings, Charlatans At The Garden Gate is set for release on February 1st.  She will also be beginning a national tour on January 22nd in her hometown of Nashville that will also - I believe - mark her West Coast debut.  This tour will find her raising her profile at Austin's SXSW.  Tristen (along with fellow "Nashvillians" Caitlin Rose, Natalie Prass, and Those Darlins) combines a lovely voice with a songwriting sensibility that is every bit as cunning and wry as Swift is heavy-handed and obvious.  I heard her song "Eager For Your Love" off an earlier EP, Deceivers Are Achievers, and couldn't get the refrain of "tame that nasty shrew..." out of my head for months.  Look for Tristen to be buzzing big in 2011.  Below is a taste, with her video for "Matchstick Murder" and her performing "Eager For Your Love" live.



Matchstick Murder from Tristen on Vimeo.


Thursday

The Return of the Haikiew: Kurt Vile and the Violators @ SF's Rickshaw Stop

On Tuesday night at San Francisco's Rickshaw Stop Kurt Vile and Violators brought their street tough, Philly Folk to a near sold out crowd. Vile alternates between acoustic driven space ballads and prodding electric guitar stomps, all soaked in a fair amount of reverb. The Violators added sonic punch and understated flourishes with heavy doses of chiming guitars. Openers Hurling Piss delivered 90's inspired Nirvana meets Sonic Youth cum 12 bar blues, with plenty of guitar solo histronics. Co-Headliner, The Soft Pack, kicked the skinny-jeaned hipsters in their skinny little ASSES! The band has been on a seemingly endless tour and the fruits of their labour are clearly evident as their songs had a crystaline intensity. In attendance were a myriad of Indie Rock "who's whos" including members of Dum Dum Girls, Girls, and Seventeen Evergreen. The following is my Haiku review or, "Haikiew", of the show...and below is some unedited footage shot on my trusty FlipCam of Vile's song "He's Alright".

Echo fuzz ears ring

Hypnotic Dylan transfixed

A Scenster heaven