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Showing posts with label The Strange Boys. Show all posts
Showing posts with label The Strange Boys. Show all posts

Monday

Ty Segal, Natural Child, & The Strange Boys @ SF's Verdi Club In Pictures As Part Of Burger Boogaloo...

Artwork by William Keihn
There is something truly wonderful and time-honored about all-ages shows held in ethnically distinguished social halls. The clash of kids milling around the entranceway to a space usually reserved for weddings, bingo, and wakes always makes me thankful. It's this re-fashioning of use that makes me crave a buffet to go along with my PBR in a can and in this case, "garage/psyche/RAWK! On Friday night in San Francisco's Mission District the Verdi Club - located on 18th and Mariposa - an Italian-American social club that has been in existence since 1916, hosted a banquet of some of fine music. This might be the first time a band playing there didn't feature an accordion or cover Louis Prima. The deliciously late 70's decor and interior of the hall was the perfect setting for a night of bruising, blistering, and blunt rock and roll as part of Burger Boogaloo's "takeover" of San Francisco. The 300 plus in attendance were treated to a bill headlined by SF's Ty Segall, Nashville's Natural Child, and Austin's The Strange Boys, along with others. What follows is a few pics from that night, minus the cutting of the cake and removing of the garter.
Austin, TX's The Strange Boys light it up...photo by RLC
The Strange Boys played a furious garage rock set that was entertaining, albeit a bit one note. They lacked the diversity in their sound of Natural Child and Ty Segall. The Austin trio is clearly a favorite among the other bands and made the long drive out from Texas after playing SXSW. Ty Segall offered $20 to the winner of an impromptu dance competition he decided to sponsor. The Strange Boys were on the road with Natural Child and making the long drive to Portland, OR after the show.
Check the "freak flag" behind the band...photo by RLC
One of my favorite bands was up next, Natural Child. This Nashville power-trio (a very popular setup for bands these days) is the perfect combination of having an amazing sound in service of GREAT songs. The dual vocals of Wez Traylor and Seth together hit the perfect note, roughhewn but melodic as HELL! These guys have a lot of different shades to the "green" inspired songs. They are HEAVY but not in a way that excludes but includes the ladies. Their lyrics are odes to a life worth livin', when livin' is done on the cheap and in the back of a van. They pair perfectly with beer in a can and I love them. Look for an upcoming interview with Natural Child here on the "What Duvet Said...About Music" podcast.
If Keith Richards sang with Keith Richards...photo by RLC
Natural Child managed to play their entire set without playing my three favorite songs and moments after arriving from the long drive up from LA. The air was thick inside the Verdi Club with  the KIND "verdi" and the crowd edge closer to the stage with each song. This is a band to NEVER miss live. They will be releasing their first full-length album on Nashville based Infinity Cat Records oddly enough on 4/20. This is NOT a shocker, believe me.
This amp catches dreams...photo by RLC
I had to buy the silkscreened shirts Natural Child were selling because they were simply put, "KOOL AS SHIT!" This is a reminder to anyone seeing touring bands, BUY THE MERCH! It keeps gas in vans, nicotine in lungs, drugs in veins, and might make it easier for you to see them again sooner rather than never again. This has been a public service announcement from your friends at Duvet.
Natural Child in their natural setting...photo by RLC
Closing the show was this scene's very own "natural child" Ty Segall. Segall is a real treasure and should be seen to be believed. His set is always blistering and a communal event. His show on Friday found "Strange Boy" drummer Mike La Franchi sitting in on bass. But the focus is always on wunderkind guitar hero Segall. Popular all over the country I don't expect him to be playing venues this intimate and low-key for much longer.
RAWK in action...photo by RLC
Most of the songs came off his most recent album Melted and faces were indeed MELTED! His cover of Sabbath's "Paranoid" was truly inspired. In fact, it inspired this writer to push is way up front, order another beer he didn't need, and led to a longer night than anticipated. KUDOS Ty! Thanks for the memories I can't remember. But here are a couple I managed to pop-off  inpixulated for posterity.
A picture is worth a 1000 words and will have to suffice...photo by RLC
RAWK is always better viewed in a top hat. It was a classy affair at the Verdi Club. The pic below captures the "pomp" being witnessed from the back of the room, on stage would be the "circumstance". The next time I come back to the Verdi Club I think I'll try the fish but Friday night was definitely steak and potatoes.
Down in front!...photo by RLC

Wednesday

If You Are Not At These Shows, Not Only Are You Bummed But You Are Not At These Shows...Or, Go See Shilpa Ray And Her Happy Hookers & Natural Child And Suffer No Pangs Of Guilt...

Happy indeed at NYC's Mercury Lounge!...photo by Gulshan Kirat
There are two shows happening in San Francisco this week that got nary a mention in either weekly and seem to have slipped past other local blogs in San Francisco, still reminiscent and power drunk from attending SXSW. They are as it happens, happening back to back. We strongly urge you to brave the rain for NYC's Shilpa Ray And Her Happy Hookers opening for Acid Mother's Temple & The Melting Paraiso U.F.O at the Bottom of the Hill on Thursday night. On Friday night in the Mission district Verdi Club is hosting Nashville's Natural Child on a bill to support Austin, TX's The Strange Boys and SF's Ty Segall. Both shows feature live shows that are often unhinged and/or cathartic performances by still (with the exception of Segall) relative unknowns to the Bay Area. But in the case of Shilpa Ray, the New York Times, New Yorker, and Spin Magazine have all taken notice along with Nick Cave and Patti Smith.

Shilpa Ray And Her Happy Hookers feature Ray on the most RAWKING use of the least used instrument in rock, the harmonium. The four-piece from New York City have the aggressiveness of early Bad Seeds, the bi-polar qualities of PJ Harvey's first two albums, mixed with a poets heart. Bandleader Shilpa Ray is a force on stage, leaving one feeling like they just witnessed an exorcism. The music gets its inspiration from horror movies, the blues and Beat poetry. The rhythm section pounds and churls, guitars alternate between slashing stabs and lilting arpeggios with the organ qualities of the harmonium taking the whole sound to church. The most arresting instrument is Ray's voice which can range from melodious to soaring vociferate howls, often with in a few bars. This music is theatrical and intense, built for big venues and they should lay waste to the relatively small Bottom of the Hill. If Shilpa Ray And The Happy Hookers were a movie genre they would be a redemptive horror/slasher pic. It's no wonder Nick Cave hand-picked them to open up dates on the recent Grinderman tour - the two are musical kindred spirits. Shilpa Ray And Her Happy Hookers are on tour in support of the January release of their second album Teenage and Torture on Knitting Factory Records. This is a show that will be worth every penny as they are hot on the heels of some white HOTT SXSW shows. Look for a review here on Friday!